Adobe® After Effects® CC Visual Effects and Compositing Studio by Mark Christiansen – PDF Drive

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Add To My Wish List. Register your product to gain access to bonus material or receive a coupon. This eBook includes the following formats, accessible from your Account page after purchase:.

EPUB The open industry format known for its reflowable content and usability on supported mobile devices. This eBook requires no passwords or activation to read. We customize your eBook by discreetly watermarking it with your name, making it uniquely yours. This is the only book to focus exclusively on the creation of visual effects for After Effects, and is a one-stop resource for по ссылке who wants in-depth explanations that demystify the realm of visual effects and how they were created, thanks to veteran author Mark Christiansen’s friendly and accessible style.

A thoroughly packed, informative read, this masterful guide focuses on explaining the essential concepts, features, and techniques that are key to creating seamless movie-quality visual effects. Users who are comfortable with After Effects will find a helpful review of the fundamentals—managing footage, viewing and editing layers, animating type, and more—so they can learn how to work smarter and more efficiently.

Readers of all levels will learn core techniques for effects compositing including color matching, keying, rotoscoping, motion tracking, emulating adobe after effects cc visual effects and compositing studio techniques free download camera, and aafter with using expressions in After Effects. The final section of the book delves into creative explorations, demonstrating professional effects that readers might want to re-create.

Included with the book are HD media files and After Effects project files used techniqued many of the techniques in the book, as well as demos of plug-ins eownload you can use to experiment with in your own effects. Mark Christiansen christiansen. Mark has done adobe after effects cc visual effects and compositing studio techniques free download directly for the Adobe After Effects development and marketing teams, is a founder at provideocoalition.

Mark is also founder of New Scribbler Press. Download Chapter 4 Optimize Projects. All bonus chapters and sample files for this book appear online. The book does not studlo with a disc, so any references to the disc are erroneous. To download страница files, follow the directions in the section called “How to Download the Files” in the book’s “Introduction.

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Adobe after effects cc visual effects and compositing studio techniques free download

 
Adobe® After Effects® CC Visual Effects and Compositing Studio Techniques. Mark Christiansen. This Adobe Press book is published by Peachpit, a division of. Faster previews. Personalized experience. Get started with a FREE account. Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques. Readers of all levels will learn core techniques for effects compositing including color matching, keying, rotoscoping, motion tracking, emulating the camera.

 

Adobe after effects cc visual effects and compositing studio techniques free download

 

This is the only book on the market to focus exclusively on the creation of visual effects for After Effects users, and. English Pages Year Selecting color spaces, resolutions, and frame rates — ch.

Generating alpha with keyers and mattes — ch. Those creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe After Effects CS5 choos. Visual effects and motion graphics pros of all stripes – перейти broadcast professionals to VFX supervisors to Web designer.

Now completely updated to cover adobe after effects cc visual effects and compositing studio techniques free download new features in CS4, this handbook guides users through the concepts and features th. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

While every precaution has been taken in the preparation of the book, neither the author nor Peachpit adob have any liability to any person посетить страницу источник entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it.

Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trademark claim, the designations appear as requested by the owner of the trademark. Mark has used After Effects since version 2. He has written effechs previous editions of this book as well as After Effects 5.

Mark is a founder of Pro Video Coalition provideocoalition. He has created video training for Digieffects, lynda. His site provides numerous free scripts, reference material, and links to other scripting resources. He is a frequent contributor to the various After Effects forums and has a special interest in expressions and complex algorithms. Dan is an electrical engineer by training, with a BSEE degree from the University of California, but has spent most of his career writing software.

Some fundamental things about the book, like its basic structure, visuao not changed, but other aspects have been radically revamped for adobe after effects cc visual effects and compositing studio techniques free download one. That parallels the development of After Effects itself. After Effects is compelling enough on its own to make it worth becoming an expert. Thank you in particular to Adobe for loaning the time and energy of Todd Kopriva to work on this edition.

When the last version of this book came out, The Orphanage, the facility where my After /25539.txt chops found a setting in which we could push compositing in this software to the maximum, was still very much alive. Maintaining that standard has been possible only with the collaboration of others.

In the last edition, I adobe after effects cc visual effects and compositing studio techniques free download in the best guy I knew to explain expressions, Dan Ebberts, and adobe after effects cc visual effects and compositing studio techniques free download counterpart on the scripting side, Jeff Almasol, to contribute chapters on their respective specialties, and those remain in this edition.

Collaboration is key to ссылка на подробности work. In gathering new material for this edition I had a few collaborators who were willing to shoot material, either with me on a day out thanks Tyler McPherron or remotely gratitude to Chris Meyer—yes, that Chris Meyer—and to Eric Zfter. Peschiera, Shuets Udono, Eric E. Yang, and Kevin Miller. Thanks to both of you for ix taking a bunch of ideas I put out there, from the ridiculous to the even more ridiculous, and coming up with a design that commpositing fresh and lively without causing any corporate powers-that-be to collapse.

This is the best edition yet of this book thanks to the efforts and commitment of the many good people at Peachpit, all of whose best qualities are embodied in one Karyn Johnson.

Without you, the pieces would not have come together in the way they did, the book would not be written the same, and the entire process would have been a whole lot less fun. Your humor, patience, commitment, and professionalism make this process of publishing a book relevant and vital, and you are truly able to bring out the best in others. Finally, thank you to you, the people who read, teach, and respond to the material in this book. I just read it, with an eye to updating it.

Everything I wrote then is even more true today. Certainly in many cases this is due to drastically reduced budgets. Nothing inspires creativity like limited resources. Laptop computers are every bit as powerful as tower workstations from two years ago.

Our phones have HD video adobe after effects cc visual effects and compositing studio techniques free download and our favorite visual effects application comes bundled with a competent roto artist in the box. The victory will go to the xi Foreword artists who generate tecuniques emotional reaction by any means necessary. Two years ago it was fun to think about bringing the sex to your work.

Use what you learn in this book to make beautiful things that challenge and excite people. Studdio tools have gotten better. All that sex and violence. Efects get enough of that at home. Apart from the sex, of course. Spielberg called and he wants the world to believe, if only for 90 minutes, that dinosaurs are alive and breathing on an island off the coast of South America. Your job: Make them look real. Movies are not reality. The reason we love them is that they present us with a heightened, idealized version of reality.

The couple are really, really charming and impossibly good-looking—in fact, one of them is Meg Ryan. Before the surgery. Oh, and music is playing. Nothing at all—and we love it. Man, she looked adobe after effects cc visual effects and compositing studio techniques free download. She looked good. But mostly, that T-rex felt effefts because she looked good. She was wet. It was dark. She had a big old Dean Cundey blue rim light on her coming from nowhere.

In truth, you could barely see her. But you sure could hear her. They make things feel right even if they skip over the facts in the process. Move a gun half an inch and it sounds like a shotgun being cocked. Get hung up on? Instant dial tone. Modern computer displaying something on the screen?

Of course there should be the sound of an IBM dot-matrix printer from They bring the sex. So do cinematographers, makeup artists, wardrobe stylists, composers, techniqjes designers, casting directors, and even the practical effects aafter.

And yet somehow, we in the visual effects industry adobe after effects cc visual effects and compositing studio techniques free download often forbidden from bringing the sex.

Our clients pigeonhole us into the role of the prop maker: Build me a T-rex, and it better look real. Not just good—impossibly good. Unrealistically blue-rim-light-outanowhere good. Sexy good. Have you ever argued with a client over aspects of an effects shot that were immutable facts? Do you ever get frustrated with clients who try to art-direct reality in this way? Well, stop it. And you know what else? Was It Good for You? The sad reality is that we, the visual effects industry, pigeonhole ourselves by being overly preoccupied with reality.

We have no one to blame but ourselves. Want me to xv Foreword do one at 48 frames? The problem is that the damage is already done. So when you attempt to break our self-imposed mold and bring the sex to your client, you will face an uphill battle. Then all the talk of realism went away, and the shot got oohs and ahs. Your client reacts to your work emotionally, but they critique technically. When they viskal your shot, they react with their gut. You may think that those are the worst kind of comments, but they are the best.

Bringing the sex is all about cheap tricks. Lights On or Off? There are some visual effects supervisors who pride themselves on being sticklers for detail. This is like being an architect whose specialty is nails. There will forever be something more you could add, some shortcoming that could be addressed. Anyone can nitpick. Effecfs this is always the sex.

Oh yeah: Star Wars. Audiences only care about the sex.

 
 

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